Pete Turner (American, b. 1934).
Lifesaver, 1967.
Digital inkjet print.
Gift of the artist. © Pete Turner
Pete Turner: Empowered by Color, on view through
February 4, 2007, is a retrospective exhibition featuring more than 50 prints.
Spanning Turner’s career, the work displayed will range from early images taken
during his first African expedition to his latest work with architectural spaces
in Mexico.
For more than 40 years, Pete Turner's striking photographic
compositions have employed bold color to realize an extraordinary personal
vision. Unafraid to take chances and embrace new technology, the artist has
challenged—and continues to challenge—the possibilities of color photography.
A native of Rochester, New York, Pete Turner attended the
Rochester Institute of Technology, studying with some of the most important
photographic educators, critics, and practicing photographers of the day,
including Ralph Hattersley and Minor White. Turner’s classmates comprise a who’s
who of important photographers from his generation, including Bruce Davidson,
Carl Chiarenza, Jerry Uelsmann, and Kenneth Josephson.
Upon graduation from RIT in 1956, Turner was drafted by the
military. He ran a color lab for the Army Pictorial Unit, giving him on-the-job
training and an opportunity to expand his portfolio. After his discharge, he
received his first major commission from Airstream Trailers and National
Geographic magazine in 1959. His 7-month journey from Capetown, South
Africa, to Cairo, Egypt, produced several images that are still among Turner’s
most famous. George Eastman House purchased its first Turner image, Rolling
Ball, in 1960.
In 1967, Turner’s image The Giraffe appeared in the
Metropolitan Museum of Art’s exhibition Photography in the Fine Arts.
In the decades since, hundreds of Turner’s images have complemented magazines,
record jackets, and billboards. Turner has also published two monographs with a
third, The Color of Jazz, scheduled for release this fall.
Color photographs for fine art, advertising, and photojournalism
are regularly seen in glossy magazines and on museum walls. But while commercial
advertising quickly embraced color photography in the early 20th century, it
took decades for fine art photographers to welcome color. The acceptance of
color photography in the fine arts in the late 20th century can be credited to a
handful of photographers who championed the medium’s possibilities. Among them
is Pete Turner.
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Visitor Comments:
"Beautiful, captivating, inviting shots. The colors are so alive. Thanks for
putting me in a great frame of mind!"
"Fabulous. Eye-opening beauty."
"Color is the key to life, and he [Pete Turner] really captures the color in
life!"
"To take the 'ordinary' and make life sensational is the most beautiful part
of photography. That is the theme of this gallery to me. Beautiful work."
"Amazing!"
"Exquisite."
"Fantastic use of color and composition. Love the work! Super!"